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Ankermyrens Væsen
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Kold Denmark
Kold is a Danish black metal duo that formed during a melancholic time where loneliness and longing came to be the two supporting conceptual pillars of their work.
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EXPEDITION II : Die Passage
by Antrisch
supported by 9 fans who also own “Ankermyrens Væsen”
Extraordinary work by Antrisch, can't stop listening to it although Black Metal usually struggles to convince me. Same like for Antrisch's EXPEDITION I: Dissonanzgrat applies: This album is strong from its first sounds of creaking wooden hull to its last sounds of wind and waves, deciding for a favourite track would not do justice for the geniality of the remaining five, the one coming closest to a favourite one could be I FESTGEFROREN - Packeisfalle in my opinion.
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supported by 8 fans who also own “Ankermyrens Væsen”
Brilliant album and amazing band from Denmark. ⚔🖤⚔
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supported by 8 fans who also own “Ankermyrens Væsen”
《 So many questions 》 — "Rest", Inevitable. NONE. La mort est une épée de Damoclès : elle va tomber et on en a conscience ; on ignore quand et on la redoute. Tel est le thème d'Inevitable. Pour pousser ce concept jusqu'au bout, NONE fait en sorte que ce quatrième album soit à double tranchants. Sur le plan quantitatif, DSBM et dark ambiant sont sur un pied d'égalité : si le premier est toujours aussi dévastateur, le second n'est pas là pour apporter du réconfort. L'incertitude, l'angoisse...
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From the Other Side of the Mirror
by Glassing
On this pummeling new LP, the Austin group blend up screamo, black metal, and noise rock into heady, urgent music.
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Killer, knotty blackened prog from Norway, full of ferocity and complexity, with blistering guitar leads aplenty.
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Oracular Hexations
by Diabolic Oath
featured on Bandcamp Radio Apr 12, 2024
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Life has gone on long enough
by NONE
supported by 8 fans who also own “Ankermyrens Væsen”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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